
RAYMOND CHANDLER - RAYMOND CHANDLER'S TROUBLE IS MY BUSINESS - HC (ENGLISH V.)
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Description
“Inspired. . . . This trio brings [Chandler’s] words to vivid life. . . . A triumph of teamwork.”—Air Mail
In 1940s Los Angeles, a sour-faced millionaire hires Philip Marlowe, a hard-boiled, harder-drinking detective, to scare off a suspected gold digger who has gotten her claws into his even wealthier stepson. Marlowe takes the case but quickly discovers that the woman, Harriett Huntress, isn’t just after gold: she’s playing a long, cold game of revenge…
Marlowe forms an alliance with George, the client's chauffeur-cum-bodyguard-cum-fixer. George is a Black, Dartmouth-educated veteran with a sniper’s skills and his own agenda, and the two uneasy allies find themselves on the wrong end of a brace of hired killers and an enigmatic casino boss. . . . It quickly becomes clear that Marlowe, sticking his nose where it doesn’t belong, is just asking for trouble. But that’s the thing. Trouble is his business.
RAYMOND THORNTON CHANDLER (1888 - 1959) was the master practitioner of American hard-boiled crime fiction. Although he was born in Chicago, Chandler spent most of his boyhood and youth in England, where he attended Dulwich College and later worked as a freelance journalist for The Westminster Gazette and The Spectator. During World War I, Chandler served in France with the First Division of the Canadian Expeditionary Force, transferring later to the Royal Flying Corps (RFC). In 1919 he returned to the United States, settling in California, where he eventually became director of a number of independent oil companies. The Depression put an end to his career, and in 1933, at the age of forty-five, he turned to writing fiction, publishing his first stories in Black Mask. Chandler’s detective stories often starred the brash but honourable Philip Marlowe (introduced in 1939 in his first novel, The Big Sleep) and were noted for their literate presentation and dead-on critical eye. Never a prolific writer, Chandler published only one collection of stories and seven novels in his lifetime. Some of Chandler’s novels, like The Big Sleep, were made into classic movies that helped define the film noir style. In the last year of his life he was elected president of the Mystery Writers of America. He died in La Jolla, California, on March 26, 1959.
ARVIND ETHAN DAVID is a Stoker Award nominated graphic novelist who has also written chart-topping Audiodramas (The Crimes of Dorian Gray, Earworms), television (Anansi Boys) and plays (The Boy with Wings). Arvind is also a producer of film and theatre, including the Emmy & Grammy award winning musical Jagged Little Pill. Arvind’s career started when he adapted the Douglas Adams novel Dirk Gently’s Holistic Detective Agency as his college play and Adams came to see it. Years later, Arvind brought Dirk Gently to a global audience as a Netflix/AMC TV series.
“Inspired. . . . This trio bring [Chandler’s] words to vivid life. . . . Redefines what noir means. The main characters all have their own colour scheme, and even the cigarette smoke seems to waft off the page. This is a triumph of teamwork.”
—Air Mail
“As smart as a slap on a cold morning, this glorious retelling of Chandler’s melancholy story is gripping to the very last page. Wonderful.”
—Denise Mina, national bestselling author of Conviction and The Second Murderer
“Takes Chandler’s original and makes a world—and what a world! Characters pop, dialogue sizzles, everyone’s got a hustle and trouble is coming—big time. Stay-up-late-to-finish stuff.”
—Nick Harkaway, author of Karla’s Choice
“The world of Raymond Chandler springs from the shadows in David’s brilliant, beautiful, haunting adaptation. A must-read for fans of crime fiction and graphic novels. A jewel in the crown of American Noir.”
—Matt Goldman, New York Times bestselling author and Shamus Award Nominee
“David’s reinvention of Chandler puts bracing new life into classic tropes. He’s a mix-master at the noir console.”
—M. R. Carey, author of The Girl With All the Gifts and Echo of Worlds
“A gripping adaptation of a classic short story by crime fiction legend Chandler. . . . David tweaks the original text . . . to create more psychological and moral complexity than found in the source material. Kyriazis’s lively illustration and innovative design sense create powerful tension that grows increasingly intense as this noir thriller careens to a close. A compelling exploration of greed and justice in shadowy 1940s Los Angeles.”
—Library Journal
RAYMOND CHANDLER - RAYMOND CHANDLER'S TROUBLE IS MY BUSINESS - HC (ENGLISH V.) is categorised EUROPEAN COMIC BOOKS / DETECTIVE / ENGLISH and sold by l'Imaginaire, a store and specialised website.
Autors : RAYMOND CHANDLER, ARVIND ETHAN DAVID
Artists : ILIAS KYRIAZIS, CRIS PETER
ISBN : 9780553387599
Collection : PANTHEON
Language : EN
Book type : DETECTIVE
Sylvain B. | Report this review |
04/06/2025 | |
« THERE ARE WORST THINGS TO DO THAN TAKE THE FALL FOR ONES YOU LOVE. » | |
D’entrée de jeu, spécifions que « Trouble Is My Business » est à l’origine un recueil de nouvelles de l’écrivain américain Raymond Chandler, renommé pour ses romans policiers mettant en scène le détective privé Philip Marlowe. Pour le roman graphique tiré de son œuvre, il s’agit d’une brillante adaptation de la nouvelle éponyme – située dans le Los Angeles des années 40 – dans lequel Marlowe est engagé par un millionnaire pour effaroucher une jeune femme qui s’est « éprise » de son fils adoptif. Ce qui s’annonçait comme un contrat routinier prend une tout autre tournure lorsque des événements troublants et violents viennent bouleverser le récit et le rendent nébuleux avant son dénouement. Ce qui frappe à la lecture de ce nouveau roman graphique, c’est la qualité du travail de l’équipe d’artistes qui en ont exécuté l’adaptation et la création. Le scénariste David fait preuve de créativité et d’inventivité dans son traitement de la nouvelle de Chandler, notamment en faisant fi à l’occasion de la narration subjective qui est l’un des traits marquants de l’écrivain. Il restructure le récit de manière à présenter les personnages et leur vécu déterminant dans le but d’expliciter les motivations et les desseins de ces derniers. En toute logique, les indispensables éléments clés du style de Chandler, tels les dialogues vifs et acerbes sans oublier le cynisme sous-jacent, imprègnent cette adaptation moderne du récit. En ce qui a trait à l’illustration du récit, le dessinateur Kyriazis n’hésite pas à déborder d’ingéniosité et d’habileté dans la présentation des scènes et des personnages. Passant de la planche de base (avec un regroupement de vignettes horizontal/vertical) à un style éclaté (multiplicité des éléments visuels et narratifs sur une même page), son style particulier permet de marquer les scènes des émotions, du désarroi et du cynisme éprouvés par les personnages. La finesse de son trait, les différents angles de vue et de plans dynamisent le récit tout en faisant ressortir l’univers malsain dans lequel baigne celui-ci. Pour ce qui est des couleurs, Cris Peter se sert de divers dispositifs (monochrome, pastel et autres) pour mettre notamment en valeur les regards et les visages des protagonistes. La symbiose entre les illustrations et la sélection des couleurs pour chacune des scènes procure au lecteur une immersion quasi sensitive dans les faits décrits. Superbe! |